Digital browsing now shapes how most readers discover books. That means your cover has to make an instant impression—often at ...

The wrong styling can ruin a perfectly good message. That’s why UVA leans on the typeface used in the first printed edition ...

Ruggable’s design team reveals why cold minimalism is fading in 2026 — and how warmth, color, and personality are reshaping ...

After 30 years of glitchy swiping, it's finally time for New Yorkers to get the subway experience that they deserve.

Dorothy Waugh’s 1930s posters helped transform US national-park tourism. A new Poster House exhibition highlights how her ...

The trends shaping 2026 tell a story of designers and brands reaching for more personality, more craft, and quite frankly, ...

In a new featurette for Wicked: For Good, sound mixers Simon Hayes and Andy Nelson, sound designer John Marquis, and more delve into the world of sound as heard in the new film. The team members shine ...

Ready to jump into the world of the best web fonts? Here are 40 typefaces that could take your digital design from forgettable to un-forgettable. You encounter them daily, but you might not even ...

Harland Miller is back in London, bringing monumental, brash, and unapologetically graphic works. These new pieces, alongside pieces from his ongoing Letter Painting series, take over two locations in ...

A Central Valley duo is looking to shake up the interior design scene by blending the old with the new. Good Waters Interior Design, based in Fresno, officially launched this fall, poising itself to ...

For any costume designer, a project of Wicked’s scope and scale would pose a thrilling challenge. But in Paul Tazewell’s case, he was tasked with outfitting two such movies—Wicked and Wicked: For Good ...

“Defying gravity in architecture was a great way to launch into the second film,” says production designer Nathan Crowley, winner of an Academy Award for his work on the 2024 blockbuster. He is ...